I’m making a new work for CCA Glasgow, looking at 1970s non-sexist, multi-racial kids books made by feminist publishing collectives, particularly Lollipop Power who were in Chapel Hill in the early 70s. If everyone had been as ahead of the game as these women, maybe we wouldn’t be in the mess we’re in. They’re all nearly 70 now, and they’re still awesome. This is a back cover from The Sheep Book, by Carmen Goodyear, 1972.
I’ll be in conversation with artist Rose Gibbs at Tate Britain on Saturday 18 June, discussing the legacies of second wave feminism, labour, and care, particularly in response to the Jo Spence display as part of Conceptual Art in Britain. Event sold out, wait list being taken.
As part of our commission with the Serpentine Galleries, Andrea Francke and I presented an artist’s talk at the gallery on 24 October 2015 which discussed the project, a partnership with the Portman’s Centre for Early Years Education, and the interrogation of early years education for a collaborative, research-based art practice.
Critic Jennifer Thatcher writes a feature about mothers in the UK art world in the July August 2015 issue of Art Monthly, and focuses on my projects Crib Notes and the campaign for childcare re-instatement at the RCA.